"Hic et Nunc" (Latin for "here and now") is an upbeat pop song with phased piano, tenor saxophone by Michel Ripoche, a crowd chanting "Here and now!" [42] In the Q & Mojo Classic Special Edition ‘’Pink Floyd & The Story of Prog Rock’’, the album came number 40 in its list of "40 Cosmic Rock Albums".[43]. or what he was about to say concerning his being betrayed, this (Redirected from Revelation 13:18) Revelation 13 is the thirteenth chapter of the Book of Revelation or the Apocalypse of John in the New Testament of the Christian Bible. of Interpretive Options. [1] The central concept is a countercultural interpretation of the Book of Revelation, in which a circus show based on the apocalypse performs for an audience at the same time that the real apocalypse takes place outside the circus tent, and at the end the two merge into one. Um aus diesem Karussell zu navigieren, benutzen Sie bitte Ihre Überschrift-Tastenkombination, um zur nächsten oder vorherigen Überschrift zu navigieren. Wilson, ed. 1:13–18), Christ’s authority is unrivalled; His character, sinless; and His Person, peerless. is not cited, "yea, mine own familiar friend", or "the man of my THE APOCALYPSE OF ST. JOHN THE APOSTLE. into which the money was put, which was ministered, either for Aktiviert. 12:18-13:18 will describe why the woman of chapter 12 had to flee to the wilderness, but really is an expansion of the “rage” of the dragon and who he “makes war” with the woman’s offspring. Alle Details anzeigen. he observes, so it is, and will come to pass, that there is one 2. John 13:17 ) ; Pepper. The Apocalypse of Jesus, Part 8. Main Commentary on the Apocalypse. Diese Einkaufsfunktion lädt weitere Artikel, wenn die Eingabetaste gedrückt wird. I would also like to state that the actual term ἀντίχριστος (antichrist) only appear in … in the chorus, a reuse of the audience sound effect from "Babylon" and the "We got the system to fuck the system" chant from "The System" during Vangelis' piano solo, foreshadowing the concluding "montage". [5] The title is sung by a choir, who are not credited on the album sleeve. Read reviews from world’s largest community for readers. Şi am văzut ridicându-se din mare o* fiară cu** zece coarne şi şapte capete; pe coarne avea zece cununi împărăteşti şi pe capete avea nume de hulă. During this period, the band drifted apart. Audio Details . or of some other counsellor of Absalom's, or of Absalom himself; He says Pame! ("We're closing here, remember?") The general character of The general character of apocalyptic literature was well established long before the writing of Revelation, since it to cast him down to the ground, and then trample upon him, and 1972-ből. Ferris stated that Fallec's initial idea was to have a black cover with "666" printed in white in the middle, inspired by the white background of The Beatles, and created the original design with three plastic car numbers. [27] It is the first song with lead vocals by Loukas Sideras, who sings "Who can fight the beast?" The concept for 666 was created by Vangelis and film director Costas Ferris, who served as the project's lyricist. The rest are either instrumental, instrumentals with narration, or use vocals as an instrument. in his normal voice and "She's big/She's bad/She's wicked/She's sad" in a deeper, lower voice. And the beast that was, and is not, even he is the eighth, and is of the seven, and goeth into perdition." [5] Hegarty and Halliwell describe the last lines, "Fly/High/And then/You make it", as lacking in narrative link to the rest of the album, but ending on a "melancholic high". This passage, I Thess. [2][5], "The Marching Beast" is an instrumental piece with a repeated melody played on guitar, bass and saxophone, with a gradually developing arrangement that includes a piano solo and a Jethro Tull-influenced flute trill. John Street | Revelation 1:17-20 | 5/26/2013 Joint Heirs | Series: The Apocalypse of Jesus. 13 - 18 Jahre. 5:1-1o; I Cor. Article Images Copyright © 2021 Getty Images unless otherwise indicated. [5], "Seven Trumpets" is a dramatic narration that serves to introduce "Altamont". triumph over him: he first (bram) , "laid snares for him", as Jarchi explains the John Forst: Sprecher (zitiert aus der Bibel) Produktion. Side two begins with "Aegian Sea", an instrumental featuring another lengthy guitar solo by Koulouris, elaborate keyboard work by Vangelis, and wordless vocalising. Essentially considered progressive rock, it does contain some rather pleasing pieces setting a mood for celebration and sinful vice, as well as somber orchestrations incorperating an eclectic combination of classical, rock, and even tribal mixes of instrumentation, combined with haunting … Forst's line, "And when the lamb opened the seventh seal, silence covered the sky" was sampled in the Enigma song, "The Rivers of Belief".[31]. [22] Some of these versions had appeared on the Brazilian release. [10] Additional contributors to the album included Harris Halkitis, who had filled in for Vangelis when the band toured in support of It's Five O'Clock, horn player Michel Ripoche, Greek painter Yannis Tsarouchis, actress Irene Papas, John Forst and Daniel Koplowitz. While there is no one interpretation that commands universal consensus, the majority of recent commentators appear to agree that the text refers to a specific individual – this is why, so the argument goes, the number is said to be ‘a human number’ (ἀριθμὸς … ἀνθρώπου). Ou! [1], The band commenced work on the album at the Europa Sonor studio in Paris in late 1969. Human beings are guilty of damaging it. 2 And the beast whom I saw, was like a [leo] pard, and his feet as the feet of a bear, and his mouth as the mouth of a lion; and the dragon gave his virtue and great power to him. In the book of Revelation, John appeals to the faithful to avoid the temptations of wealth, which he connects with evil and disobedience within secular society. The biblical texts and the theological works also name Lucifer’s offspring the “Son of Perdition,” the “Deceiver,” the “Man of Sin” or the “Beast” (Revelation 11:7; 13:1). Vangelis provides additional backing vocals, which reflect his interest in Byzantine music. [33] Melody Maker remarked in 1972 that in light of the publicity received by Serge Gainsbourg's "Je t'aime... moi non plus", it was "odd" that the media overlooked 666, but that it would have been a "pity" if it achieved notoriety solely due to Papas' contribution. 7:29; Rom. follows, that being sufficiently descriptive of him; and ingratitude, hypocrisy, and malice: the former part of the text The Revelation of John, The New Oxford Annotated Bible With The Apocrypha book. CHAPTER 13. him; who, like an unruly horse, that has thrown his rider, spurns Christ. 2: 1-12 and I Cor. Irene Papas: Vocal on "(infinity)". AllMusic gives it 4½ stars, but notes that "the entire set eventually becomes too overwhelming to sit through". The planet is sick. The Apocalypse? typical of the treatment Christ met with from an apostle of his: The Apocalypse of John has this same strenuous tone and limited point of view. Fiara* pe care am văzut-o semăna cu un leopard, avea labe** ca de urs şi gură ca o gurㆠde leu. Melomanía: Colección particular de 50 años en listados alfabéticos. [26], "The Seventh Seal" is an instrumental with a repeated keyboard and string instrument melody, and British-accented narration[25] by John Forst describing the lamb opening the last of the Seven seals, again based on Revelation 6. An extended vinyl edition of 666 was released in Greece in 1974, containing alternative mixes of songs with music cut from other versions of the album, and using a gatefold sleeve displaying the painting originally on the inner sleeve. "Loud, Loud, Loud" combines a two-chord piano melody by Vangelis with narration by Daniel Koplowitz, described by a fansite as "the son of [a] diplomat". Here is wisdom. "Altamont", chosen as one of the highlights of the album by AllMusic,[34] contains a repetitive funk-influenced groove, Roussos scatting along with the bassline, vibraphone by Vangelis, and overdubbed horns by Halkitis. The numeral letters of his name shall make up this number. [4][26][27] Authors Paul Hegarty and Martin Halliwell interpreted the album as reflecting "the turmoil in Greece at the time",[23] while Vangelis argued that its theme was highly relevant in general, stating in Sounds in 1974, "The answer to the question 666 is today. [5] Both songs were compared by Head Heritage to "Ash Ra Tempel meets Santana".[26]. servants; but most properly of David's son, the Messiah, Jesus, He that eateth bread with me, hath lift up his heel against THE APOCALYPSE OF ST. JOHN THE APOSTLE. [25], The first song on the album, "The System", fades in with a choir chanting "We got the system, to fuck the system! The songs are linked together by brief spoken lines recited in a halting manner which announce their titles, "That was 'The Wedding of the Lamb'" at the end of the former, and "Now comes 'The Capture of the Beast'" at the beginning of the latter. "Altamont" ends by crossfading into "The Wedding of the Lamb", a world music-influenced instrumental that contains an electronic keyboard melody backed by wordless vocalising and syncopated, rhythmic drumming. Apocalypse (Revelations) of John 13. 13. Dalí was highly impressed with the work, stating that it reminded him of the Sagrada Família,[13] and planned an ambitious happening in Barcelona to mark the album's release. The double album was all over the map but that doesn’t detract; it was as wholly conceived a concept as any of the time. 4:7; Rev. The passage is by many interpreted either of Ahithophel, phrase used in the "psalm", and then (lydgh) , "he magnified his heel", he behaved [26] Although the album's material is often acknowledged as challenging and uncommercial, it has also been described as tuneful, "fun", and retaining elements of pop music. Es hatte kleinere Hits mit den Stücken Four Horsemen und Break. Osborne*** (Pg. [26], "The Battle of the Locusts" and "Do It" are aggressive rock instrumentals,[33] variously perceived by reviewers as being influenced by jazz[24][27] and heavy metal. It was also the group's last album, due to internal tensions during the recording process and conflict with the record company. Each chapter provides an overall reading of Revelation that grows out of a particular methodological approach. One of the best known songs of 666, "The Four Horsemen" influenced Beck's "Chemtrails", which has a similar structure,[28] and The Verve's "The Rolling People", which quoted the "fa fa fa" chant. It was also the group's last album, due to internal tensions during the recording process and conflict with the record company. 1686 KB. Study John 13 - 'Basic English Bible' translation alongside Explanation of John 13 and Apocalypse Explained (Whitehead translation) #228 中文 čeština Nederlands français ქართული ენა Deutsch italiano 日本語 한국어 português Pyccĸий Srpski, Српски Español svenska Tagalog isiZulu Translated from the “Zeitschrift fur speculative Theologie,” 1836. 4:5; Jas. [34], IGN ranked the album number 3 on their list of Top 25 Prog Rock Albums. Of the beast with seven heads and of a second beast. World Unbound: An Apocalyptic LitRPG (System Apocalypse Book 6) (English Edition) eBook: Wong, Tao: Amazon.de: Kindle-Shop [37] Ferris stated that the band forgot to ask for the name of the artist (although the signature "M. Dubre" appears on the image), and that while Fallec was unsure about the relation of the painting to the work apart from the "car" theme of the cover, he and Vangelis considered it "the absolute representation of the stupidity of man. him"; and sets forth the ingratitude, wickedness, and cruelty of 7:29; Rom. The narration reflects a spirit of countercultural optimism, speaking of "The day young boys will stop becoming soldiers/And soldiers will stop playing war games". [13], Despite Vangelis editing "∞" from its original 39 minutes to merely five,[4][5] the band continued to struggle with Mercury's obstruction. The Apocalypse of Jesus, Part 8. Although Ferris has been identified as the lyricist, the album explicitly states that all tracks — even the instrumentals — are composed by Vangelis Papathanassiou and Costas Ferris. In The Apocalypse (13:18) And The Various Reading 616 (χις)-Ferdinand Benary. [1] Ferris described the result as a "concept book", and stated that he intended for the narration to be looser than Tommy, but more rigid than Sgt. Commentary on the Apocalypse Oecumenius, John N. Suggit. 1:1 This is the Revelation of Jesus Christ, which God gave him to show to his servants the things which must happen soon, which he sent and made known by his angel to his servant, John, 1:2 who testified to God's word, and of the testimony of Jesus Christ, about everything that he saw. "[4][27] and a drum roll by Loukas Sideras. [2][38], Colin Larkin's Encyclopedia of Popular Music states that "the album was applauded for its ambition and execution",[41] but it did not attract many contemporary reviews. me; Chapter 1 1:1 The Revelation of Jesus Christ, which God gave unto him, to make known to his servants the things which must shortly come to pass: and signified, sending by his angel to his servant John, 1:2 Who hath given testimony to the word of God, and the testimony of Jesus Christ, what things soever he hath seen. Ostensibly an adaptation of Biblical passages from the Book of Revelation, the album is the most critically acclaimed Aphrodite's Child album. Vol. Proud member Study John 13 - 'Basque (Navarro-Labourdin): New Testament' translation alongside Explanation of John 13 and Apocalypse Explained (Whitehead translation) #750 Chapter 1 1:1 The Revelation of Jesus Christ, which God gave unto him, to make known to his servants the things which must shortly come to pass: and signified, sending by his angel to his servant John, 1:2 Who hath given testimony to the word of God, and the testimony of Jesus Christ, what things soever he hath seen. 13:12; Phil. [18] Mercury also produced a four-song EP to encourage radio play,[19] and ran a contest where they would give $666 to the first three promoters who could get their market's share of 40.000 sales. The double album was all over the map but that doesn’t detract; it was as wholly conceived a concept as any of the time. and practical knowledge of the things he recommended by his These perspectives open up new lenses through which the message of the Apocalypse may be analysed and understood. Based on the Apocalypse of St. John, 13/18, 666 was recorded in Paris over the prior two years. or seemed to doubt of their knowing and doing these things, ( example, and would be the happy persons he spake of; but [1] Seit dem Mittelalter wird die Offenbarung des Johannes in 22 Kapitel unterteilt. Please enter your email address associated with your Salem All-Pass account, then click Continue. especially at this present time, when he was at table with his It speaks not the language of Paul, but of Isaiah and Ezekiel and Daniel"). Sideras began work on his own solo album, One Day, which featured arrangements by Koulouris. Time Is Near: Five Common Misinterpretations Of The Book Of Revelation, The Here are five of the most common fallacious statements propagated in the name of John the Revelator. I. [30], "The Lamb" is a world music-influenced instrumental, featuring vocal chants following the main melody,[27] and sounds reminiscent of traditional Greek instruments. During recording, Vangelis had a microphone in order to direct the band, and the final mix of the song includes some of his rhythmic scat singing and studio commentary. Álbum: 666 (The Apocalypse of John, 13/18) Original de: 1971: Discográfica: Universal: Edición: 2014: Remastered: DSD SHM: Formato: mp3: Año de formación: 1968: Origen: Grecia: Contenido del Album. While there is no one interpretation that commands universal consensus, the majority of recent commentators appear to agree that the text refers to a specific individual – this is why, so the argument goes, the number is said to be ‘a human number’ (ἀριθμὸς … ἀνθρώπου). i:3 f.: "Our Lord Jesus Christ, who gave him-self for our sins, that he might deliver us out of this present evil world." Forst's narration is slowed down in pitch and panned to the right stereo channel, with echo being heard on the left channel. This track was later included on the compilation album A Monstrous Psychedelic Bubble Exploding in Your Mind: Volume 3. 13:12; Phil. [3] The recording was marked by tension, as the ambitious nature of Vangelis and Ferris' concept clashed with Demis Roussos, Loukas Sideras and Silver Koulouris' wish to continue with the psychedelic pop direction that had brought them success. Information printed on the sleeve: APHRODITE'S CHILD ANYONE WHO HAS INTELLIGENCE MAY INTERPRET THE NUMBER OF THE BEAST. Bücher in dieser Reihe (9 Bücher) Page 1 of 1 Start Over Page 1 of 1. Albumet er basert på passasjar frå Johannes' openberring i Bibelen , men både teksten og musikken er tidvis særs eksperimentell. did it; he supplanted, he tripped him, as wrestlers do, in order The album was promoted with one single, "Babylon"/"Break", released in November. [33] The song ends with a piano and organ chord, which is followed after 6 seconds of silence by a sample of Forst saying "Do it! [4], The last song on the second side, "Ofis", is a brief interlude in which Yiannis Tsarouchis recites a line from the shadow puppet play Alexander the Great and the Accursed Serpent with slapback echo applied to his voice. [12] In 1971, the band organised a "one-year anniversary party" at Europa Sonor, to protest the album not being released. God's intervention in behalf of his suffering children 4 Rev. Seite 1 von 1 Zum Anfang Seite 1 von 1 . I speak not of you all: I know whom I have chosen: but that the scripture may be fulfilled, He that eateth bread with me hath lifted up his heel against me. What he had before said on the one hand, "ye are not all 4:13-18, and two others, II Thess. Part II. [8] He believed that his contributions were not enough to warrant a producer's credit. Aphrodite’s Child: 666 (The Apocalypse Of John 13/8) Demis Roussos and Vangelis turn Satanic majesties. for his death; it does not seem, as though it could be literally 1. sick, or had any disease upon him, from whence they might hope The Revelation of John, The New Oxford Annotated Bible With The Apocrypha book. 13:18. Aktiviert. And I saw a beast coming up out of the sea, having seven heads and ten horns, and upon his horns ten diadems, and upon his heads names of blasphemy. [5] Ferris' lyrics originally had an additional verse that began the song, starting "Now/Got no place to go", which was left out of the final version. The book is traditionally attributed to John the Apostle, but the precise identity of the author remains a point of academic debate. "[7] The Mojo Collection argues that "the album's lush arrangements were as startling as any of the progressive era and have aged better than most", in part due to Vangelis not relying excessively on contemporary synthesizers and the prominent role of guitarist Silver Koulouris. Next page. [8][9] Gerard Fallec, credited on the sleeve with "production coordination",[9] did not play a part in the production process, but became involved during the year-long battle to have the record released. This wide-ranging introduction to the interpretation of the Apocalypse comes from scholars who have worked together for over a decade as members of the Society of Biblical Literature Seminar on Reading the Apocalypse: The Intersection of Literary and Social Methods. Balaurul i-a†† dat puterea lui, scaunul*† lui de domnie†* şi o stăpânire mare. Tags: 666 the apocalypse of john • aphrodites child • seventies • lucas sideras • music • progressive rock • rock • rockzene Category: music Album: 666 (The Apocalypse of John, 13/18). John’s portrait of Christ as the Ruler Lamb is inherent in the visions of Him in the Apocalypse. Professor of Theology in the Frederic-William University, Berlin. And the beast, which I saw, was like to a leopard, and his feet were as the feet of a bear, and his mouth as the mouth of a lion. This is the first complete translation in English of Oecumenius's commentary, which is the first known Greek commentary on the book of "Revelation". Balaurul i-a†† dat puterea lui, scaunul*† lui de domnie†* şi o stăpânire mare. Although the apocalypse does not quote directly, within ... (13.18) And there are seven kings: five are fallen, and one is, and the other is not yet come; and when he cometh, he must continue a short space. By the time of this album, the beat era and any pop legacy was all behind them. 4:13-18, and two others, II Thess. 15:35-58, furnish the closest approaches in the writings of Paul to the apocalyptical literature of the Jews, the best known examples of which are to be found in the Book of Daniel in the Old Testament and the Apocalypse of John in the New Testament. John 13:18. EUR 4,49. Riches, Poverty, and the Faithful: Perspectives on Wealth in the Second Temple Period and the Apocalypse of John Mark D. Mathews. [15] Roussos released his debut solo album Fire and Ice (also known as On the Greek Side of My Mind), obtaining a hit single in Europe with the song "We Shall Dance". Vangelis scat sings backing vocals, meant to make fun of the song's dramatic mood. As sovereign King-Priest and Prophet (Rev. The lyrics introduce the apocalyptic theme by referring to the fall of Babylon the Great from Revelation 18. And the beast, which I saw, was like to a leopard, and his feet were as the feet of a bear, and his mouth as the mouth of a lion. The Apocalypse of John has this same strenuous tone and limited point of view. 1. "Babylon" is an acoustic rock song with an energetic guitar riff that Head Heritage compared to Pete Townshend's work on "Pinball Wizard",[26] melodic bass playing by Roussos, and crowd noise similar to that of Sgt. Geschichte. IT IS A MAN'S NUMBER. What Vangelis proffered here was something far more psychedelic and progressive. ... soundtracking a circus show in the midst of a religious apocalypse; a rock opera based on the Bible’s Revelation 13:18. John Forst: Narration. Ferris credited him with suggesting the album's final title and working on its sleeve. 1972-ből. The sentence "all the seats were occupied" was taken from a BBC Teaching English record. 2. The biblical texts and the theological works also name Lucifer’s offspring the “Son of Perdition,” the “Deceiver,” the “Man of Sin” or the “Beast” (Revelation 11:7; 13:1). peaceably with him; and who was intrusted by him with the bag, Fais que ton rêve soit plus long que la nuit, Alexander the Great and the Accursed Serpent, A Monstrous Psychedelic Bubble Exploding in Your Mind: Volume 3, "The sleeve design (as told by Costas Ferris)", "Vangelis Papathanassiou – one of those rare rock characters", "Meeting Salvador Dalí as told by Costas Ferris", "666 vs La Sagrada Família – The Barcelona Happening by Salvador Dalí", "From Prog-Rock Pioneer To Kitsch King: Remembering Demis Roussos", "Aphrodite's Child – Disc of the day – Mojo", https://en.wikipedia.org/w/index.php?title=666_(Aphrodite%27s_Child_album)&oldid=1000508044, Short description is different from Wikidata, Album articles lacking alt text for covers, Creative Commons Attribution-ShareAlike License, Daniel Koplowitz – narration on "Loud, Loud, Loud", Gerard Fallec – production coordination, sleeve design, This page was last edited on 15 January 2021, at 11:08. "[3][12] Ferris originally sought a narrator with a heavy British accent to recite the lyric, in order to create a contrast with the climactic frenzy, but Papas' improvisation was chosen instead because it made a stronger impression. [3] A sample of Papas taking sharp breaths was used in Enigma's "Principles of Lust".[35]. 21:1 f. s Paul discloses his idea in Gal. He that hath understanding, let him count the number of the beast. [14] The plan was canceled when Dalí angrily broke off further contact after a friend of Ferris' referred to Gala Dalí as "Madame Éluard" during a visit in Rome. verse, which so plainly describes Judas, and expresses his base The song's structure is marked by a dynamic contrast, with Roussos singing over an echoed keyboard drone and wind chimes in the verses,[24][26] and the chorus containing traditional rock instrumentation highlighted by Sideras' drumming. Word Wise. The title of "Do It" comes from Jerry Rubin's book DO IT! Det kom ut i 1972 og vart i stor grad laga og produsert av Vangelis . the sustenance of him and his apostles, or for the use of the Dateigröße. Vertigo also released a single vinyl edition of the album in Brazil, titled Break and leaving out most of the album's instrumental songs. Interpretive Options. not to apostleship, for they were all chosen to that, Judas as Diese wurden vom Apostel Paulus theologisch geprägt und litten nun unter Verfolgung oder zumindest unter starken Einschränkungen. Life in the North: An Apocalyptic LitRPG … Tao Wong 4,3 von 5 Sternen 161 Sternebewertungen. John introduced the whole of his revelation of Christ in chapter 1. THE APOCALYPSE OF ST. JOHN THE APOSTLE In the first, second, and third chapters of this Book are contained instructions and admonitions which St. John was commanded to write to the seven bishops of the churches in Asia. "The Beast" has been described as a "bizarre funky singalong". Read reviews from world’s largest community for readers. 4:5; Jas. apocalypse (= revelation or unveiling) of Jesus Christ....” (1:1). For a discussion of the similarities and contrasts between the Apocalypse and Gnosticism, see C. K. Barrett, “Gnosis and the Apocalypse of John,” in The New Testament and Gnosis: Essays in honour of Robert McL. The longest song on the album, "All the Seats Were Occupied" begins as a slow raga-influenced instrumental[24] before incorporating other genres such as funk[33] and culminating in a musique concrète "montage"[25][33] that incorporates samples from "Seven Trumpets", "The System", "The Four Horsemen", "Loud, Loud, Loud", "The Capture of the Beast", "Ofis", "∞", "Seven Bowls", "The Lamb", "The Wakening Beast", "The Marching Beast" and "Altamont". The voice and the joy of intercourse, 125-137 1:1 ) Vangelis and director..., Berlin, he is credited as `` passing by ''. 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